What do this year's Gramophone Awards tell us about the current state of classical music?
- Monday, October 9, 2023
Editor Martin Cullingford reflects on the differences of a passing year – or century
Editor Martin Cullingford reflects on the differences of a passing year – or century
Rather than a coherent ‘whole’, this music gives us micro-glimpses into countless worlds – inner worlds, literal worlds, dissolving worlds, worlds of imagination
The joy of talking to leading figures about their musical journeys – and sharing them in our latest special edition
Amid a feast of world-class music-making, James Jolly sits down with the Director of London’s Wigmore Hall, John Gilhooly to find out how this unique concert hall ticks
Composer Will Todd talks about writing the opera Alice's Adventures in Wonderland, ahead of a performance at If Opera
Penelope Thwaites reflects on how the stories of real people inspire and motivate her compositional process
Rob Cowan's Replay column, which celebrates the best of recent reissues, has now been a crucial part of Gramophone for 30 years
Understanding history can add much to the impact of composers and their works
David Fray’s L’Offrande Musicale festival brings world class music-making to hundreds of disabled people, and the result is magnificent and moving
‘High costs and a vast catalogue concentrate the mind, and the result is release schedules full of purpose and creativity’
Tessa Uys and Ben Schoeman make the case for exploring Beethoven's symphonies in their piano duet arrangements by Xaver Scharwenka
Making a video, sharing speeches, signing petitions: it all makes a difference
The early music pioneer and prolific record-maker's centenary fell last year – but why aren't more of his albums available?
Gramophone's Editor introduces a special anniversary edition of the magazine
The extraordinary work holds a particularly personal power for Stella Chen - so how did early critics get it so wrong?
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