Est 1923
Stephen Cera celebrates the remarkable Polish keyboard player who single-handedly revived interest in the harpsichord during the early part of the 20th century
Martin Cullingford introduces the July issue of Gramophone
Heinrich Schütz’s German Requiem has become one of the most-recorded works of 17th-century German sacred music. Fabrice Fitch investigates its rich discography
In this month’s guide to further listening, Mark Seow suggests a soundtrack to a summer of sport, starting with Debussy’s danced ballet, the tennis-themed Jeux
Soprano and composer, Héloïse Werner performs her piece 'Lullaby For A Sister'
The California-based photographer has always been drawn to music of all types, but her father awakened her love of classical music
As his career changes gear, and he adds ‘author’ to his CV, Sir Antonio Pappano talks to James Jolly about his love of English music, his musical journey and ‘influence’
Richard Whitehouse delves into the fascinating and evocative sound world of this Scottish composer
Geraint Lewis and Jeremy Dibble revisit the first ever full recording of Elgar’s The Kingdom, made by Sir Adrian Boult in 1968
The composer Oliver Leith talks about his opera Last Days
The substantial and individual work of this UK-based, US-born composer is championed by Richard Whitehouse
Clara Schumann's music has a depth and originality that has inspired many outstanding recordings. Here are 20 of the finest, from Isata Kanneh-Mason, Tasmin Little, Carolyn Sampson and more
We spoke to the composer about her latest album, 'Revolución Diamantina' and her collaborations with Gustavo Dudamel
Clarinetist, Graeme Steele Johnson and the Loeffler Octet Revival Ensemble perform this newly discovered work
In both speaking with the Austrian composer and exploring his music, Hattie Butterworth finds a powerful honesty of experience
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